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Nicolas Poussin Landscape with Orpheus and Euridice oil painting


Landscape with Orpheus and Euridice
Painting ID::  10118
Nicolas Poussin
Landscape with Orpheus and Euridice
1648 Oil on canvas 124 x 200 cmLouvre

   
   
     

Nicolas Poussin Landscape with the Funeral of Phocion oil painting


Landscape with the Funeral of Phocion
Painting ID::  10119
Nicolas Poussin
Landscape with the Funeral of Phocion
1648 Oil on canvas 114 x 175 cm National Museum of Wales

   
   
     

Nicolas Poussin Landscape with Gathering of the Ashes of Phocion by his Widow oil painting


Landscape with Gathering of the Ashes of Phocion by his Widow
Painting ID::  10120
Nicolas Poussin
Landscape with Gathering of the Ashes of Phocion by his Widow
1648 Oil on canvas, 116 x 176 cmWalker Art Gallery, Liverpool

   
   
     

Nicolas Poussin A Roman Road 1648 Oil on canvas oil painting


A Roman Road 1648 Oil on canvas
Painting ID::  10121
Nicolas Poussin
A Roman Road 1648 Oil on canvas
78 x 99 cm Dulwich Picture Gallery, London

   
   
     

Nicolas Poussin Judgment of Solomon oil painting


Judgment of Solomon
Painting ID::  10123
Nicolas Poussin
Judgment of Solomon
1649Oil on canvas, 101 x 150 cmLouvre

   
   
     

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     Nicolas Poussin
     French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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